Heather’s wood art and furniture is truly made from Portland, utilizing found wood and materials from deconstructed or abandoned homes in the Portland area. She incorporates recognizable reclaimed wood pieces such as lath, decorative edging and moulding into one-of-a-kind designs.
Presented in a handblown Waterford Crystal decanter and displayed in a wooden cabinet made from reclaimed whiskey vats, there are just 48 bottles in the world. The price tag for this rare wonder is $40,000.
“The way I describe it is that it’s ‘radically accessible,'” he says. “All you need to be able to do is hear and talk.” Through grants, Anderson has expanded Futel to 10 booths in Portland, as well as Detroit and Ypsilanti, Mich., and Seaview, Wash., using hardware salvaged from Craigslist.
Excess tabletops from the old office were cut to make adjustable shelving in the gallery wall, and millwork was reused in the print and model shop rooms. Overall, 16% of the total material cost for the project was salvaged and repurposed from the old office. 68% of the furniture was also reused (amounting to $100,000 savings).
Jeremiah Logemann rummages through a storage locker Friday to show off some of the parts from the St. Raphael steeple that he plans to turn into pieces of art. St. Raphael in Downtown Madison was destroyed by fire in 2005. Since its demolition in 2008, the steeple has been kept in a lot along East Washington Avenue, but Logemann assumed ownership of the spire in June when the Madison Diocese was looking for a way to dispose of the 18-ton structure. STEVE APPS/STATESMAN JOURNAL
“I’ve been busy as hell since that day. It’s kind of miraculous,” Logemann said. “There are a lot of people in Madison that either just want art to make their place look cooler or they like the story of the steeple or a barn or they’re philanthropists. It doesn’t matter where their heart is at. We’ve got the material and I have the drive to make it. We can make great public art all over this city.”
Back at the beginning of the 1900s, Equihen Plage was known, as one of the best spots for fishing. As many boats were left to be destroyed on the shore, local fishermen used them as roofs for their handmade shelters. At the time, the area was called Quartier des Quilles en l’Air: the neighborhood of keels in the air.
Dismantling a historic barn is an exacting process, requiring weeks of logistical planning. Because the team hopes to repurpose every piece of wood, most work is done by hand, with the occasional support of heavy machinery. “The barn has its own plan,” says manager Anthony Saraceno. “There are always surprises.” Photo by Joe Polillio
Each salvage job is unique. In the case of Pitney Farm, a portion of the grounds is to be converted into a public park. Some of the salvaged wood was set aside to build benches for the park. Real Antique Wood will repurpose the rest. “I’ve probably made 25 mantels from the beams of that barn already,” says Anthony Saraceno, who manages the mill and Real Antique Wood.
‘To me, this indicates the need to further question the current practices of the construction sector. How is it that something so simple and obvious as keeping reusable resources intact and in circulation can have become so complicated to put into practice?’
“We see this as a pilot project, research,” Devlieger says. “[We are] testing methods for the professionalisation of reuse. Architects sometimes don’t understand the power they have. They are diverting huge streams of money towards new materials when they specify and there are social, environmental and economic consequences of those decisions.”
Dale Galvin grinds nails from roofing along Old Englewood Road. Some of the roofing will be used to create artwork by artists Lisa McQueen and Gary Carlberg. Sun Photos by Sandy Macys
“People are stopping by asking for a piece of it because it’s a part of their childhood,” Parks said. “It was a part of my life. This is my grandmother’s homestead. My mother was born in 1924 and was raised here.”
Most of the project has been built using reclaimed materials from various projects over the years. The windows are all steel sash from, at last count, five different remodel projects. The pool is perhaps the most notable example; it used to be a water tank for livestock. At 25-feet diameter and 14-feet deep it provides a wonderful black hole of water, particularly in a full moon.
“The wood is generally all reclaimed pieces from when we do renovations or additions,” says the artist. “I work for a high-end company [John G. Early Contractor and Builder], so we have a lot of uncommon things — antique flooring, antique beams. It would normally be trash, but it’s completely usable. The older and more weathered it is, for me, the more appealing. I prefer that to something that’s too clean and polished.”
Designed by Nordhavn-based Lendager Group, the Holiday Cabin consists of five connected structures, all of which are constructed from upcycled waste materials found from demolition sites and local factories.
“I’m first and foremost a preservationist,” Sauer said. “I don’t like to see historic buildings come down.” But, when buildings are demolished or remodeled, saving as much as possible is important, Sauer said, noting, “I don’t like seeing this stuff end up in a landfill.”
The new Runway Rink at the TWA Hotel allows guests to skate on the tarmac around the hotel’s 1958 Lockheed Constellation Connie airplane, a vintage airliner which has been converted into a cocktail lounge.
The warm and vast pool at the spa at Tschuggen Grand Hotel (Image: Manchester Evening News)
Stretching over 800m, its relaxation pool is bordered by views of the snow covered mountains, the two saunas, one set at an eco friendly 60 degrees, are made from reclaimed wood and have windows that act as a portal to the icy, white world outside.
For example, the staircase combines six different woods from 10 different buildings in what Clark calls “an ode to Frank Furness,” the legendary architect who designed the Pennsylvania Academy of the Fine Arts. “I kind of puzzled it together,” he says.
Reusing architectural elements is a practice that is as long as the history of mankind. At one point, midcentury, this practice started to disappear. Industrial progress, capitalism, evolving demographics, and culture led to a different paradigm of practice. We’ve never seen our approach as one of invention. Our practice is more today about rediscovering existing practices. We see ourselves trying to connect the past to potential futures.
Minimising waste is high on the agenda here, and goes beyond the menu; recycled steel and plastic bar chairs are by Snøhetta, while the overall design is the work of Box 9 Design, and features poured concrete floors, custom fitted ply wood booths with sage green upholstery, an open kitchen and long tables made from reclaimed wood for group dining.
Prasad would like to see architects ‘go for it’ even without the requirements of the London Plan. He said: ‘Circular economy applies to buildings of all scale and all types, and I would love to see it being applied to smaller buildings than the threshold indicates at the moment.’ He said this was not ‘a glum duty’ or ‘dreadful imposition’. ‘It’s a fantastic opportunity to innovate and think in different ways. And the lovely thing is, it can be done on so many fronts. As the name implies, the circular econo
The house was their living quarters, initial work space, and ongoing project—it had been added onto over the years, and the previous owner, a high school shop teacher, “trash picked historic doors and windows considered garbage,” says Margaux. “He used his finds to restore the rooms closer to their former, albeit frankensteined, self.”
Because of the Upfront Carbon emissions from building, groups like the World Green Building Council have suggested that we have to “question the need to use materials at all, considering alternative strategies for delivering the desired function, such as increasing utilisation of existing assets through renovation or reuse.” They also noted that we have to “prioritize materials which are low or zero carbon, responsibly sourced, and which have low lifecycle impact in other areas.”
The Great Hive Mind is a striking installation made from reclaimed scaffolding poles. It contains an observation hive which is home to a colony of around 25,000 bees expected to rise to more than 50,000 by next summer.
The rich heritage of denim spans centuries. Convinced that we were able to do something new, we drew inspiration from the techniques and processes involved in modern composite engineering and by infusing layers of denim fabric with a carefully selected resin, we have created Solid Denim.
A breakfast nook has a parquet wooden table from the first boat Hughes built and starship sleek bench seats in which to peer out of the planet-shaped glass. Hughes calls this his “Captain Nemo window,” a nod to one of his favorite childhood books, Jules Verne’s “Twenty Thousand Leagues Under the Sea.”
Elizabeth Warren speaking under the arch in Washington Square Park, in New York, on Monday night, to a crowd that her campaign says numbered more than twenty thousand people.Photograph by Drew Angerer / Getty
A lectern placed on top was made from reclaimed wood from the Maine home of Frances Perkins, the early-twentieth-century labor activist. According to Warren’s campaign, the lectern was built by craftspeople at a woman-owned woodworking company based in Brooklyn, who designed the base to resemble the soapboxes that Perkins and other labor organizers would have used. It was a stage set created to reflect the central theme of Warren’s campaign: the importance of the rights of working people, and the ways that
Dennis Fano with a Serus T in Novo’s Nashville workshop
Dennis Fano’s Novo brand builds remarkable electric guitars from tempered and reclaimed timber, and we have never encountered structurally similar guitars with more natural resonance. I’ve also played some recent ultra-high-end Les Paul replicas made from very old wood that already sound like they’re decades old.
using old shelves, pallets, and branches from fallen trees, dambo has built the giant wooden trolls. the installation marks the 15th anniversary of the electronic festival as a gift to the local community. over 200 volunteers helped to collect the materials needed before dambo and a crew of 15 people spent 25 weeks building the sculptures.
The castle’s exterior mixes architectural styles, including 13th-century French Gothic. / Photo by Michele Snow
He scoured Europe for architectural salvage, buying up archways, façades, windows, and wall panels from the rubble of World War I. These centuries-old artifacts were incorporated alongside new construction materials (including wood intentionally weathered with seawater for an old-timey look). The result so impressed John D. Rockefeller, an avid art collector, that the tycoon used it as a model for the Cloisters in New York—the only museum in the United States to exclusively showcase art from the Middle Ages
They also completely remodeled the kitchen, adding marmoleum flooring, salvaged century-old walnut and birch cabinets, and a unique countertop. “We found a section of bowling alley lane. I edged it in walnut,” Sours said.
Saint Pierre is sourcing her granite material directly from the building site for her prototypes (seen here), which she hopes will be incorporated into the new design. Courtesy Anna Saint Pierre
Acknowledging how large a carbon power the building industry is, Saint Pierre identifies the need for crafting new hybrid building blocks. This imperative has led her to formulate an atomistic understanding of architectonics. In her prototypes, stone slabs are smashed into rubble, then crushed into powders, compacted into terrazzo, or sandwiched into gabion walls.
Material passports specify the position, availability and value of the materials in your buildings. They support the circular economy by making it easier to identify and reuse products, tapping into inherent value rather than squandering it and starting from scratch. Instead of ‘crushing buildings into pretty useless rubble,’ as circular economy expert Duncan Baker-Brown of BBM Sustainable Design explains, material passports make beneficial deconstruction, or even keeping a building, more likely.
Repurposing and revitalizing discarded materials is a driving force behind ReRoot’s business philosophy. Every product under ReRoot is made with at least some – if not all – repurposed materials. Some of these materials were once tools and equipment to begin with.
Connolly, who works as a contractor, did all the home designs himself, and after a renovation lasting a year and a half in which he got almost all of the building materials necessary from reclaimed and salvaged sources, the West End bungalow now functions as a guesthouse, home office and extra living space, plus it gives Ross’ and Connolly’s four dogs (and often a foster dog or two) a double backyard in which to run and play.