The Lovett Deconstructionist is the heart of the company. This role requires a self-starter, someone who is a hard-working, thoughtful, attentive, service-oriented person who can do everything from the rough, dirty work of demolition to the careful, surgical removal of material such as cabinetry, windows, and salvageable hardwood floors. The deconstructionist uses expert skill and collaboration with team members to protect, salvage, and disassemble all range of structures. Our deconstructionists are team players; they are friendly, safe, and conscientious, creating a work environment that is positive and productive. They work in all kinds of conditions, in all kinds of weather, and perform a brilliant level of service regularly surprising clients. At all times, they carry themselves with dignity and professionalism because they are the best at what they do.
In this file photo, a truck carries logs through the Tillamook State Forest. Amelia Templeton
The court determined that Oregon can manage more than 700,000 acres of donated forestland for a range of values like recreation, water quality and wildlife habitat — not just logging.
A structure printed with concrete and a 3D printer by manufacturer Alquist. Courtesy: Alquist
To mitigate the logistical challenges, the City of John Day applied for and won a grant from the Oregon Department of Land Conservation and Development. Now Walker and the City of John Day have $60,000 to develop plans for a practical 3D-printed home.
Bodecker Foundation, Portland, Oregon
“The warehouses were cut into and modified, while retaining the memory of their historic boundaries,” Bodecker said. “Peeling back the roof of one and slicing the other, the warehouses were remixed and fused together with a new central core building.”
Source: 9nkedlgpo0w71.jpg (3300×6600)
Buildings just north of the main Camas paper mill site sit vacant on Jan. 7. (Joshua Hart/The Columbian) Photo Gallery
Nine of the buildings to be demolished were built between 1929 and 1970, according to G-P’s demolition plan. They include a two-story, 31,360-square-foot development lab; a four-story, 31,000-square-foot nonwovens manufacturing building; a three-story, 11,000-square-foot office building; a two-story water treatment building; two warehouses; a 3,500-square-foot library; and a one-story microscopy laboratory.
In 1939, the Works Progress Administration hired a promising young photographer named Minor White to document some of Portland’s buildings before they were demolished. At the time, White was just starting his artistic journey. But he would soon become one of the 20th century’s most important photographers.
DAVID F. ASHTON – Competition exhibits are taped up on the sides of old rail coaches for public display – to be voted on by people attending the event.
The competition grew out of an idea by TriMet General Manager Doug Kelsey to find a way to re-purpose the Type 1 light rail vehicles while addressing a public need, and if successful, keeping the trains from becoming scrap. “Wouldn’t it be amazing to find a new way to re-use these old trains that advanced the legacy of transit – connecting people with services, with opportunities, with the community we so value?” he asked.
Courtesy Mikael Lundblad
“I think this is one of the last buildings from that era,” says Sean O’Connor, the general manager and partner of KEX Portland. “So it’s nice to be able to preserve the original history and character of that Eastside industrial area.”
Put simply, logging is not a carbon solution. All told, the logging industry is the largest fossil fuel emitter in our state. In 2016, the Oregon Global Warming Commission reported that the wood products sector itself contributed 50% more pollution than the transportation and energy sector combined.
Heather’s wood art and furniture is truly made from Portland, utilizing found wood and materials from deconstructed or abandoned homes in the Portland area. She incorporates recognizable reclaimed wood pieces such as lath, decorative edging and moulding into one-of-a-kind designs.
Nominated from people and organizations across the state, Oregon’s Most Endangered Places list sheds light on important examples of our state’s heritage that are at risk of destruction or irreparable damage. The 2020 list includes endangered places from communities that for too long have been underserved–that embody Oregon’s diverse cultural heritage and require concerted efforts to be retained and passed forward.
Photograph by Lara Swimmer
American firm Lever Architecture used weathering steel and original timber in the adaptive reuse of two factories built over 70 years ago for a hay-baler manufacturer.
Green, the deputy ombudsman, points to a $4 million project in the Overlook neighborhood. The contractor failed to remove the siding before demolition took place. The penalty? Just $876 in administrative fees due to the stop-work order. (BDS does not issue fines for first-time violations.)”Why follow the rules if the fine totals $876 and you’ve saved $5,000 on removing the siding by hand?” Green asks. “Human nature is not on the side of doing right.”
Manzanita celebrates the uniqueness of CARTM and its reuse /recycle leadership and the fact that the City was the first coastal community to ban the use of plastic bags all in the name of environmental stewardship. Reusing building materials and diverting demolition materials from a landfill all contribute to LEED points which are not available for new construction so why did the City decide to not give citizens the opportunity to even have this discussion and prevent approximately 500 dump truck loads of building material from being hauled to the landfill?
GLEAN, Portland, Oregon
Inspiration often arrives in unexpected packages. See how five local artists – Vanessa Calvert, Jeremy Okai Davis, Asa Mease, Miel-Margarita Paredes and Lauren Prado – transformed a steady stream of the Portland area’s trash into art. Their works will be on display and sale at Lovejoy Square, 1313 NW Kearney St., Portland. Opening reception from 6 to 9 p.m. Thursday, Aug. 1. Gallery hours: noon to 5 p.m. Friday – Sunday. Ends Aug. 25. Wheelchair accessible. Gleanportland.com
Source: GLEAN Portland
Join us on Labor Day for the Annual Dropbox Derby.
Featuring Revive’s Flea Market Extravaganza! Monday September 2, 2019 10am – 4pm Eastbank Esplanade Parking Lots Between SE Salmon and Madison.
If you are a DIY fanatic, a design junky, or a fan of Portland’s quirky, innovative, and unique talent, then grab your friends and family and head down to the east waterfront on Labor Day for the Annual Dropbox Derby, Portland’s design-build challenge!
1913 Craftsman: The house was built for William L. and Minnie McCabe, who owned a Portland stevedoring company.
The district, which earned a spot on the National Register of Historic Places, has the state’s largest, most diverse and intact collections of significant structures.
Deforestation in the tropics has led to protests all over the globe, including this one in Germany. (AP Photo/Joerg Sarbach)
Four years of investigation into the illegal timber trade in West Africa led an environmental group to the doorstep of Roseburg Forest Products, one of the Oregon’s largest and oldest timber companies.
An arborist removes a tree to prepare the lot for the removal of the Mayo house and the construction of new town homes.
“I thought, ‘I could save the house,’” said Cleo Davis, an artist who lives just a few doors down.The Mayo house appealed to him because demolition and lost opportunities are a big part of his family’s story — and part of the African-American experience in this part of Portland.
The Pacific Maritime Heritage Center sits on a hill above Newport’s bayfront.
It wasn’t just the historical society that scored, so did the county. In what became the Pacific Maritime Heritage Center, it gained a museum, retained a piece of history, and saved a structure that otherwise might have faced demo crews.
A lithograph of Portland High School at Southwest 14th Avenue and Morrison Street. Built in the 1880s, it was razed in 1929. (Oregonian archives)
Ballestrem’s just-released book, “Lost Portland” (The History Press, $21.99), highlights grand structures that have disappeared from Stumptown over the years. The book certainly will cause readers a pang or two of wistfulness, for Portland has lost its fair share of irreplaceable landmarks.
Here is a summary of the Fiscal Year 2019 Investment and Innovation (I&I) grants. The 14 grants represent a total Metro investment of $2,453,247, which will leverage an additional $2,383,065 in matching funds provided by the applicants. Investment and Innovation grants are intended to build lasting, private sector capacity to reduce waste through reuse, recycling, composting or energy creation from discarded materials in the Metro region. They seek to both strengthen local efforts to reduce the amount and
November 30th at 10:00 a.m.
Crackedpots Holiday Shop encourages shoppers to reconsider the disposable nature of the season with thoughtful alternative gifts made from reclaimed materials!
Crackedpots Holiday Shop features fine art and craft by 40 local artists that utilize and upcycle waste materials.
Artwork in a variety of media will be on display and for sale including: metal, textiles, jewelry, assemblage, wood and collage.
Crackedpots (crackedpots.org) is a small environmental art nonprofit in whose mission is waste reduction through reuse. This year this humble organization has quietly made a stunning leap forward for the reuse industry, by opening a retail store in a major mall in Portland, Oregon.
The Crackedpots Holiday Shop carries local, handcrafted products that are exclusively made from a minimum of 80% reclaimed materials. Recovered waste materials are transformed into furniture, lighting, fixtures, clothing, accessories, fine art, and craft. Items are made from salvaged metal, glass, textiles, jewelry, assemblage, wood and plastics.
By selling only reclaimed products in a major shopping center for the holidays, Crackedpots is mainstreaming the reuse market by leaps and bounds. The ReTuna Återbruksgalleria mall in Eskilstuna, Sweden is the only other known mall retail outlet pioneering exclusively reclaimed goods.
This unique organization has less than ten employees, working part time. The operating budget is under $100,000. They have three programs, the annual Reuse Art Show, the GLEAN art show, and ReClaim It! salvage store.
This summer’s 19th Annual Reuse Art Show converted over 20 tons of waste into retail products. Since 2014 Cracked Pots has diverted 413,310 pounds from the Metro Central Transfer Station.
By Sara Badiali
After years of painting his urban muse, Hardy’s images of Portland have taken on a new meaning as they’ve become a chronicle of a rapidly changing landscape. Artwork Courtesy of Roll Hardy
“It’s been six months since the painting was made and it’s gone,” Hardy said. “Knocked down and excavated. I was thinking about that a lot when I was making that work. Times are changing. The city is changing for sure.” After years of painting his urban muse, Hardy’s images of Portland have taken on a new meaning as they’ve become a chronicle of a rapidly changing landscape.Artwork Courtesy of Roll HardyHardy’s work documents parts of Portland that are slowly disappearing. When he reflects upon that,
The Oregon Department of Environmental Quality’s Materials Management program offers grants that promote the prevention, recovery or reuse of solid wastes.
HK100 – Mountain Glory $900 – Available
The wall art is made using reclaimed wood from older homes in Portland, OR and the surrounding area. Some of the pieces are primarily made from reclaimed lath and plaster. Each piece of wood is carefully selected by it’s color, texture, and character during the arrangement of the design.
Source: Gallery — HK DESIGN PDX
“The show supports artists, many of whom generate a substantial amount of their income at this event,” Badiali said. “In essence, the Crackedpots Reuse Art Show has inspired and supported job creation for almost 20 years.” Badiali serves on the Building Deconstruction Advisory Group, for the city of Portland. The advisory group assists the city in how to salvage items from buildings rather than demolish the old structures and toss out the rubble. Badiali is a reuse artist herself, so the event caught her eye and she decided to help organize the event this year.
Cracked Pots artist Terry Powers with some of his creations. (KATU)
Organizers say this year’s show has diverted 20 tons of material that would otherwise have landed in a landfill.
GoodWood is hiring a full time Deconstructionist. $20 an hour to start, some construction or deconstruction experience is welcome. You can contact David Greenhill at Talk@GoodWoodportland.com.
GOOD WOOD IS A DECONSTRUCTION & SALVAGE COMPANY LOCATED IN PORTLAND, OREGON. WE PROVIDE DECONSTRUCTION SERVICES FOR RESIDENTIAL BUILDINGS AND OFFER AN AFFORDABLE OPTION FOR SALVAGED OLD-GROWTH LUMBER.
Source: Good Wood
“We create garden art, sculptures and furniture out of scrap steel and found objects,” Sims said. She added that her past work as an industrial welder “influences the creative process.”
Months and months of long working days….over 6000 pieces sawn to perfection….Buildin’ Manhattan! Kraaijeveld created a 10 feet long Manhattan in wood, special wood: red cedar from Manhattan water towers. Shipped in a sea freight container from New York City to the Netherlands. One day the piece will be back in New York…….
Source: Oudhout – Buildin’ Manhattan
Looptworks CEO Scott Hanlin said they collected more than 350,000 pounds of uniforms. Anything that’s still high quality was donated; anything that didn’t fit the bill was modified. “That’s what Looptworks does really well, is working together with companies to get zero waste to landfills and repurpose a lot of those materials,” Hanlin said.
Now in its eighth year, GLEAN was created to help raise awareness about our consumption habits and inspire new ways of looking at trash as a resource. The program is a partnership between Metro, the government that manages the greater Portland area’s garbage and recycling system; Recology, a company that manages garbage and recycling facilities; and crackedpots, a local environmental arts nonprofit. Artists are selected each year by a jury of arts and environmental professionals.
GLEAN exhibit challenges ideas about waste; showcases artists at Bison Building, Aug. 3 – 25
Inspiration often arrives in unexpected packages. See how five local artists – Carolyn Drake, Liz Grotyohann, Benjamin Mefford, Brittany Rudolf and Eduardo Cruz Torres – transformed an unpredictable stream of trash from the Metro Central transfer station into art. Their works will be on display and sale at the Bison Building, 421 NE Tenth Ave., Portland. Opening reception from 6 p.m. to 9 Friday, Aug. 3. Ends Aug. 25. Gallery hours: Friday through Sunday, noon to 5 p.m. More details at Gleanpdx.org or 503-278-0725.
This popular summer event showcases more than 100 artists’ creations made of recycled, found or discarded materials. Wander the grounds next to our Little Red shed, and ponder booths containing everything from bird feeders to furniture to sculpture, wearable art and beyond, which will be on display and for sale.
In the past 18 years, more than 3,300 single-family homes in Portland have been demolished, according to demolition data published online by the Portland Bureau of Development Services.
Workers remove seating planks from the East Grandstand at Hayward Field and take them to a truck for transport Monday, June 11, 2018, in Eugene, Oregon. Andy Nelson/The Register-Guard
In a first step toward dismantling the 93-year-old grandstand, workers removed original seat boards and placed them in a truck. The salvaged Douglas fir bleacher seats are among numerous items that are to be reused in a modern stadium that is to be built on the same site as Hayward Field in time for the 2021 World Track and Field Championships.
Investment and Innovation grants Investment and Innovation grants support efforts to reduce waste through reusing, recycling, composting or making energy from the stuff that is discarded in greater Portland.
Due to a rapid population growth, historic buildings all over Portland are being demolished to make more room for the growing city. But these historic buildings and landmarks help give the city its’ character. That character is what helped portland gain it’s ‘odd-ball’ reputation. Are those days over? Is the city changing permanently? Caleb is a Portland native whose goal is to capture the character of old Portland and share it with us all
Inspired by natural and cultural systems, Ophir is using the platform of fashion design to address phenomenon of contemporary issues such as natural resource degradation, hyper-consumerism and gender equity.
Ophir holds a B.Ed. in Interdisciplinary Design and Secondary Education from Kibbutzim College, Tel-Aviv, and is currently an MFA candidate in Collaborative Design at Pacific Northwest College of Art, Portland.
“These HRI properties are significant,” said Brandon Spencer-Hartle, manager of the Historic Resources program. “We’re looking for ways to adapt them or sustain them into the future.”
Even in its glory days, the planetarium-shaped house built by a mime in 1978 out of WWII aircraft carrier parts and other salvaged materials could best be enjoyed by people who appreciate theatrical curves and the unconventional.
John Killen/Special to The Oregonian
The Morris Marks House was built in 1880 based on designs by architect Warren Heywood Williams. The mansion, commissioned by a Polish shoe merchant, was originally located at 1134 S.W. 12th Ave.. It was moved in two pieces at a cost of about $440,000 in September 2017 to a vacant lot near the Interstate 405 interchange at Southwest Broadway and Sixth Avenue.