The Oregon Department of Environmental Quality’s Materials Management program offers grants that promote the prevention, recovery or reuse of solid wastes.
HK100 – Mountain Glory $900 – Available
The wall art is made using reclaimed wood from older homes in Portland, OR and the surrounding area. Some of the pieces are primarily made from reclaimed lath and plaster. Each piece of wood is carefully selected by it’s color, texture, and character during the arrangement of the design.
Source: Gallery — HK DESIGN PDX
“The show supports artists, many of whom generate a substantial amount of their income at this event,” Badiali said. “In essence, the Crackedpots Reuse Art Show has inspired and supported job creation for almost 20 years.” Badiali serves on the Building Deconstruction Advisory Group, for the city of Portland. The advisory group assists the city in how to salvage items from buildings rather than demolish the old structures and toss out the rubble. Badiali is a reuse artist herself, so the event caught her eye and she decided to help organize the event this year.
Cracked Pots artist Terry Powers with some of his creations. (KATU)
Organizers say this year’s show has diverted 20 tons of material that would otherwise have landed in a landfill.
GoodWood is hiring a full time Deconstructionist. $20 an hour to start, some construction or deconstruction experience is welcome. You can contact David Greenhill at Talk@GoodWoodportland.com.
GOOD WOOD IS A DECONSTRUCTION & SALVAGE COMPANY LOCATED IN PORTLAND, OREGON. WE PROVIDE DECONSTRUCTION SERVICES FOR RESIDENTIAL BUILDINGS AND OFFER AN AFFORDABLE OPTION FOR SALVAGED OLD-GROWTH LUMBER.
Source: Good Wood
“We create garden art, sculptures and furniture out of scrap steel and found objects,” Sims said. She added that her past work as an industrial welder “influences the creative process.”
Months and months of long working days….over 6000 pieces sawn to perfection….Buildin’ Manhattan! Kraaijeveld created a 10 feet long Manhattan in wood, special wood: red cedar from Manhattan water towers. Shipped in a sea freight container from New York City to the Netherlands. One day the piece will be back in New York…….
Source: Oudhout – Buildin’ Manhattan
Looptworks CEO Scott Hanlin said they collected more than 350,000 pounds of uniforms. Anything that’s still high quality was donated; anything that didn’t fit the bill was modified. “That’s what Looptworks does really well, is working together with companies to get zero waste to landfills and repurpose a lot of those materials,” Hanlin said.
Now in its eighth year, GLEAN was created to help raise awareness about our consumption habits and inspire new ways of looking at trash as a resource. The program is a partnership between Metro, the government that manages the greater Portland area’s garbage and recycling system; Recology, a company that manages garbage and recycling facilities; and crackedpots, a local environmental arts nonprofit. Artists are selected each year by a jury of arts and environmental professionals.
GLEAN exhibit challenges ideas about waste; showcases artists at Bison Building, Aug. 3 – 25
Inspiration often arrives in unexpected packages. See how five local artists – Carolyn Drake, Liz Grotyohann, Benjamin Mefford, Brittany Rudolf and Eduardo Cruz Torres – transformed an unpredictable stream of trash from the Metro Central transfer station into art. Their works will be on display and sale at the Bison Building, 421 NE Tenth Ave., Portland. Opening reception from 6 p.m. to 9 Friday, Aug. 3. Ends Aug. 25. Gallery hours: Friday through Sunday, noon to 5 p.m. More details at Gleanpdx.org or 503-278-0725.
This popular summer event showcases more than 100 artists’ creations made of recycled, found or discarded materials. Wander the grounds next to our Little Red shed, and ponder booths containing everything from bird feeders to furniture to sculpture, wearable art and beyond, which will be on display and for sale.
In the past 18 years, more than 3,300 single-family homes in Portland have been demolished, according to demolition data published online by the Portland Bureau of Development Services.
Workers remove seating planks from the East Grandstand at Hayward Field and take them to a truck for transport Monday, June 11, 2018, in Eugene, Oregon. Andy Nelson/The Register-Guard
In a first step toward dismantling the 93-year-old grandstand, workers removed original seat boards and placed them in a truck. The salvaged Douglas fir bleacher seats are among numerous items that are to be reused in a modern stadium that is to be built on the same site as Hayward Field in time for the 2021 World Track and Field Championships.
Investment and Innovation grants Investment and Innovation grants support efforts to reduce waste through reusing, recycling, composting or making energy from the stuff that is discarded in greater Portland.
Due to a rapid population growth, historic buildings all over Portland are being demolished to make more room for the growing city. But these historic buildings and landmarks help give the city its’ character. That character is what helped portland gain it’s ‘odd-ball’ reputation. Are those days over? Is the city changing permanently? Caleb is a Portland native whose goal is to capture the character of old Portland and share it with us all
Inspired by natural and cultural systems, Ophir is using the platform of fashion design to address phenomenon of contemporary issues such as natural resource degradation, hyper-consumerism and gender equity.
Ophir holds a B.Ed. in Interdisciplinary Design and Secondary Education from Kibbutzim College, Tel-Aviv, and is currently an MFA candidate in Collaborative Design at Pacific Northwest College of Art, Portland.
“These HRI properties are significant,” said Brandon Spencer-Hartle, manager of the Historic Resources program. “We’re looking for ways to adapt them or sustain them into the future.”
Even in its glory days, the planetarium-shaped house built by a mime in 1978 out of WWII aircraft carrier parts and other salvaged materials could best be enjoyed by people who appreciate theatrical curves and the unconventional.
John Killen/Special to The Oregonian
The Morris Marks House was built in 1880 based on designs by architect Warren Heywood Williams. The mansion, commissioned by a Polish shoe merchant, was originally located at 1134 S.W. 12th Ave.. It was moved in two pieces at a cost of about $440,000 in September 2017 to a vacant lot near the Interstate 405 interchange at Southwest Broadway and Sixth Avenue.
From above, Meyer’s new property, 2045 N. Vancouver Ave., overlooks Interstate 5, grain elevators along the Willamette River, the Broadway and Fremont bridges and the skyline of Northwest Portland.
An existing cinder block and metal sheet structure is in poor shape and will be removed, but timber supports inside will be creatively reused in the new design.
ONE WEEK LEFT TO APPLY TO REUSE ART/MAKER SHOW IN PORTLAND, OREGON!
Crackedpots 19th Annual Reuse Art Show! The 2018 cracked pots Art Show will be taking place on August 14th and 15th at McMenamins Edgefield in Troutdale, Oregon. Reuse Artists and Makers Applications will be taken until March 31st.
By 2020, the Port of Ilwaco could be home to a new shipbreaking facility that would specialize in dismantling and disposing of derelict vessels. In the recently-approved supplemental budget, the Legislature committed $950,000 for the derelict vessel facility and other work in the port. The investment includes $600,000 for building an enclosed deconstruction facility, $250,000 to replace the port’s stormwater system and $100,000 for paving and regrading work that will help protect water quality.
Diederick Kraaijeveld sculptor – Oudhout.Com
We are pleased to announce that the 2018 cracked pots Art Show will be taking place on August 14th and 15that McMenamins Edgefield in Troutdale, Oregon. Reuse Artists and Makers Applications will be taken until March 31st.
Andrew Smith, near some of the repurposed doors and windows for sale at ReStore in Portland. Staff photo by Brianna Soukup
There are over 800 ReStores in the United States, Smith said, most operating on a county-by-county basis.
Our flagship material is a show-stopping mix of dense Asian hardwoods that arrive in Portland as transpacific shipping crates carrying steel railroad track. Designers love the long lengths, punctuated by vertical jet black lines where the tracks sat on the crates. We reclaim this wood ourselves, to rescue it and give it new life in Jakarta Paneling.
Join us to see the finished redesign of the benches that have seated millions of Portland’s finest butts. Collaboration design teams will be announced the first week of March on our website and instagram. Collaborators Sign-Up Deadline Feb. 26th @ 6pm (sign-up and info at www.PDXoriginals.com/DWP18) This is for the aspiring or profesional furniture designer inside us all.
SAD-ROBOT Desk Lamp
Makegood is a collective of makers dedicated to giving new life to the discarded and reimagining salvaged materials. A portion of the sales of makegood artwork is donated to various non-profits including crackedpots.org and animal rescue organizations.
Three houses are the focus of the petition. Photos from petition website.
“Classic style defines what exists in the neighborhood today, and your plans will amount to an architectural bomb disrupting a consistently historic street,” the petition says.
Colin Murphey/The Daily Astorian
Read Preservationists spar over demolition request in Astoria from The Daily Astorian
Tobey Parsons of McGee Salvage checks in on work to a home in Svensen that utilized reclaimed timber from the trestle bridge at Clatsop Spit.
“When we realized the wood was in good shape but untreated, we started to explore options of recycling rather than cutting it up as firewood,” Morrill said. “I was talking to some local builders, and one of them suggested I call Tobey, and he developed a scheme.”
They brought in a mobile mill and spent four months processing the timbers into boards 16 to 19 feet long and more than 3/4-inch thick. Some of the boards have found their way onto the floor of a wooden barn house under construction by general contractor Duane Clayton in Svensen.
The Saffron Fields Vineyard in Oregon. Courtesy of Saffron Fields Vineyard
Designed by architect Richard Shugar of 2Form Architecture, this tasting room in Oregon was completed in 2013. Originally on the site of a dairy farm, the winery’s new building uses reclaimed materials from the old barn and sits on a hill with panoramic views. A small patio cantilevers over a pond that laps against the south side of the building, and guests can enjoy wine on the expansive patio. Sloping roof planes extend from the building and also allow rainwater runoff to be collected for irrigation and to fill up the adjacent pond.
The Oregon Department of Environmental Quality has selected recipients for five micro grant projects aimed at workforce development in the reuse and repair industries. Each grantee is receiving up to $10,000 that can be used to purchase equipment and train employees to support long-term business expansion.
Source: Oregon.gov: NewsDetail
Mary Reese hunts for tile at the new Habitat for Humanity ReStore in Gresham.
Jacobson compares shopping for salvaged building materials to thrift or vintage shopping, and advises shopping early and often. “Stock changes from day to day and quantities can be limited,” he says. “The list of stores is growing and that makes it easier to find what you need, but the region’s supply chain for used building materials is still a work in progress” Also, he says, find a contractor willing to work with you, one who’s willing to deconstruct and salvage materials, as well as incorporate reused items into the new space.
The Reclamation Administration has made a lot of friends over the years.
We are proud to say that over a third of the speakers for Decon + Reuse ’17 Expo: Saving our Past, Building the Future are from our invitations. These presenters have all been featured on the Reclamation Administration going as far back as 2011!
Here is a list of Presenters brought to you by the Reclamation Administration. You can see them all in Portland, Oregon on September 24th – 27th at the Decon + Reuse ’17 Expo.
“I had no idea deconstruction even existed,” Stigen says. “I was working a dead-end job. I had know idea what kind of trade I wanted to get into.” When she heard later about the deconstruction training, she said her first thought was “perfect. Sign me up.” When CityLab spoke with Stigen, she was on her lunch break at a deconstruction site with Lovett Deconstruction, where she secured a job before the training even started.
(Photo: Nina Mehlhaf)
That rule means a lot more certified deconstruction experts are needed. Tuesday, the city let us into a hands-on workshop at a home on Northwest 23rd Avenue, where 15 men and women were learning the trade.
Devon Campbell-Willliams is one of those trainees. He worked as a construction flagger before, and wanted to learn deconstruction technique hands on.
“You don’t want to go to straight in and straight up to pry up floorboards, if you do that you could crack the wood and it wouldn’t be reusable,” he said.
There is a proposed Senate Bill for Oregon to require a lead paint-based paint survey prior to a building demolition.
If SB871 passes it means that buildings must be surveyed for lead paint, in addition to the already required asbestos survey before being demolished. This information would then be available to the public by request.
In short, if you are living next to a building scheduled for demolition, you have the right to know if there is asbestos in that building. With the passing of SB871, you will have the right to know if there is lead paint in that building too.
Listed below are the bill sponsors who are waiting to hear from you. Each name is linked to their email. Please take a moment to let them know that you support this important legislation.
Status: Introduced on February 28 2017 – 25% progression
Action: 2017-03-02 – Referred to Environment and Natural Resources.
Pending: Senate Environment and Natural Resources Committee
Text: Latest bill text (Introduced) [PDF]
|Sen. Michael Dembrow [D]||Rep. Alissa Keny-Guyer [D]||Sen. Lew Frederick [D]||Sen. Kathleen Taylor [D]|
|Rep. Mitch Greenlick [D]||Rep. Ken Helm [D]||Rep. Tina Kotek [D]||Rep. Sheri Malstrom [D]|
|Rep. Robert Nosse [D]||Rep. Karin Power [D]||Rep. Jeff Reardon [D]||Rep. Tawna Sanchez [D]|
|2017-03-02||Senate||Referred to Environment and Natural Resources.|
|2017-02-28||Senate||Introduction and first reading. Referred to President’s desk.|
Oregon State Sources
Salvage Works, North Portland, Tracy Barry, KGW
Browning is part artist, part builder, so It’s not surprising that he is drawn to the inner beauty of the reclaimed lumber. And lucky for him, so are many others, just as eager to search for the stories hidden in every grain and to embrace the promise of reinvention.
Everyone who frequently crosses the Ross Island Bridge has spotted the beeswax yellow Queen Anne Victorian-style mansion with a 50-foot-high turret. MLS#16396701. Photo provided by Premiere Property Group
The family earned its wealth through co-ownership of the Poulsen-Inman Lumber Co., then the largest lumber company in the state. Fellow timber baron Robert D. Inman erected a matching Queen Anne on the same east bluff overlooking the Willamette River. Inman, however, lived in his mansion. The properties, once safe in the Brooklyn neighborhood, were separated first by streaming traffic on the highway after the Ross Island Bridge was opened and later by bulldozers. In the 1950s, long after both men had died and their company sold to Georgia-Pacific, Inman’s house was torn down to make way for a parking lot, according to the Cafe Unknown history blog.
Phil plumbed the house for gas, electricity not arriving until about 1913. Phil and Dora married Nov. 8, 1903, moved into the house, and started their family. To complement the landscape Phil planted an orchard and four Giant Sequoia trees from Broetje’s Nursey on Oatfield and Courtney Rds. – now Clackamas County Heritage Trees.
The purpose of both Oregon’s Historic Preservation Office and Clackamas County’s Historic Preservation Ordinance is to protect and preserve our historic and cultural resources. Unfortunately without the stewardship of a caring owner this process can be circumvented and financial realities can intervene. The legacy of the Oatfield family is quickly disappearing, and unless a philanthropic individual steps forward to move this house to a new location this historic community icon will be lost forever.
Philip Oatfield House now
A fireplace in the curved wall of the central hub welcomes visitors at Moovel headquarters in Portland’s Old Town Chinatown on Wednesday, Jan. 4, 2017. Moovel, a tech subsidiary of Daimler, opened its headquarters in the restored Overland Warehouse. (John Rudoff/For The Oregonian/OregonLive)
Moovel’s arrival in the neighborhood is the latest example of how Portland’s booming tech scene is transforming the city’s core. Portland’s Urban Development Partners spent more than a year, and upwards of $3.5 million, rehabilitating the Overland. Urban Development Partners project manager Joren Bass said the investment reflects ongoing revitalization in Old Town Chinatown and the historic nature of the Overland itself. “You can’t create space like that in a new building. It’s just impossible,” Bass said. “You can’t find timber like that anymore.” Moovel chief operating officer Sadhana Shenoy said the goal was to build community among employees, drawing on the building’s unique history.
Preston Browning, owner of Salvage Works, with some deconstructed lumber. (Salvage Works)
“You see on really the earliest barns all hand-hewn beams, very rustic, very beautiful well-aged material,” Browning said. “We sell a lot to contractors and fabricators who are building the interiors of restaurants and bars, coffee shops, offices, that sort of thing.” Anyone who’s been in a recently remodeled or newly built bar or restaurant in Portland has likely seen the kind of wood that fills Salvage Works’ 25,000 square foot complex. The deconstruction ordinance — and plenty of deteriorating barns — will keep them and Salvage Works in old wood for years to come. “It provides jobs, it keeps material out of the landfill and really provides this amazing material that you just can’t find anymore,” Browning said of the ordinance.
This is expected to divert about 8 million pounds of material from landfills per year and affect about 30% of homes that would be demolished. A study from the Northwest Economic Research Center estimates the policy could create 30-50 jobs and up to $1.5 million in local economic activity.
I love the wooded feeling the trees give while still being in an urban setting. The floor plan is functional with 1920’s touches. And the energy upgrade completely turned this from drafty and cold to comfortable and efficient.
Recently renovated, green and energy efficient upgrades. This 1920’s style ranch home in mature David Douglas area. Owner is a General Contractor and Passive House builder & Consultant that remodeled this home from top to bottom and inside to outside. The home features over 1000 square feet of living space, three bedrooms with a functional floor plan. Outside entry area for the unfinished basement that is perfect for storage or a workshop.
Rebuilding Center Photo
Dismantling a home carefully enough that its components can be reused is a more intricate process than demolition. It takes longer and requires more labor in place of machinery. At first glance, the labor costs make deconstruction more expensive than demolition. In most cases, though, the tax benefits more than pay for deconstruction—the value of salvaged materials, which can be donated for tax credit or saved for reuse in later projects, is typically thousands of dollars greater than the cost difference between deconstruction and demolition. “When you don’t have to use energy to create a project, you’re just harvesting, it’s almost like free money,” Badiali says. “By simply dismantling something, you’re creating a product. You’re adding value.”
North Portland’s Rebuilding Center – KATU photo
“All of us are pro-urban density, we all understand the concept, but you can’t make these changes this fast and give nothing back to the communities who are there in the first place,” said Seward, “If Portland doesn’t pony up, it may already be too late.” Moretti hopes in the future, the city will consider including homes built in the 20’s and 30’s.
Portland gains a lot by deconstructing rather than demolishing. It gains jobs—deconstruction employs, on average, six people to every one that demolition requires. It gains quality materials—the tight grain of old growth timber in older homes is strong enough to fold a nail. It gains a healthier planet when we divert waste from landfills—according to the city, about 20 percent of landfill waste comes from construction and demolition. It also avoids the toxins from lead and asbestos that are released into the air when homes are demolished.
Source: Deconstructing Portland – Curbed
Hop and Vine is gone but these peddles once graced their walls. If you’ve ever been you’d remember the decor. Nostalgia for old Portland inspired this hanging lamp. Edison bulb, cloth covered wire, dimmer. $225. Contact reclamationnews @ gmail for more information on how to purchase.